For a modern audience, finding a way to fill Shakespeare with energy and still place the action in a primarily classical setting is a difficult task, but Kevin Moriarity’s production of “Henry IV” at the Dallas Theater Center has taken on the challenge.

From the moment the play begins, without any real dimming of the lights or overhead reminder to turn off all cell phones, the audience is thrown into the action of 16th century England. The house lights are left up, fights happen just inches from patrons sitting in aisle seats and there are even moments when audience members are asked to move or participate in the action.

This constant exchange of energy beyond the generally accepted fourth wall of the theater, allows the audience to participate in a conversation with what is arguably Shakespeare’s greatest work.

Although the play is designed in a primarily classical setting, Moriarity acknowledges that there are a few anachronisms, such as a 21st century song at the end of the first act and the use of a gun somewhere in the second. 

There is a fierce rawness in the play, from the incredibily versatile set, desgined by John Coyne, to the use of young actors from Booker T. Washington High School, such as Graham Dudley and Alexander Ferguson.

Speaking of actors, the play features a wide array of talent from SMU; seniors Micah Figueroa and Dexter Hostetter number among this mostly male cast, which makes it fun for fellow students who might recognize them from work on campus.

There is also an excellent performance of the enigmatic character Falstaff, by the experienced actor Randy Moore. His hilarious presentation of this beloved character is part of what makes the play a must-see of the fall Dallas theater seasons. Shakespeare lover or not, make your way out to “Henry IV” and chances are, you will find a night of adventure and laughter.